In the fairy-tale land they list him as “Dwarf Eight” — less a name than an inventory label.
Unlike his seven brothers, he is too dark, too rebellious, too uncompromising for a world built on perfect stories. He is the only one who has ever escaped.
From behind its sealed borders, Blisswood markets its fairy-tale characters as global icons while controlling their bodies, their stories and their suffering. Sleeping Beauty is kept in an induced coma because her condition is profitable. Rapunzel is subjected to extreme hormonal manipulation. Snow White, psychologically shattered, is kept functional through pharmaceutical intervention to preserve the illusion of perfect beauty.
Everyone else is pacified by Euphorigen, a drug hidden in the drinking water.
Behind the glittering façade stands the High Council of Tales — a totalitarian power structure run like a crime syndicate, enforced by the intelligence agency Kraken. Those who step out of their role simply disappear.
In Raze, an industrial city stripped of illusion, Sinister joins a group of outsiders determined to expose the perverse system behind the fairy tale — and burn it to the ground.
But Blisswood does not tolerate defectors.
A hunter has been sent after him.
DWARF EIGHT is a literary novel about control, exploitation and the brutal longing for authenticity in a world that only tolerates people as long as they remain useful to the narrative.
UNPUBLISHED WORK. CURRENTLY OPEN TO CONVERSATIONS WITH INTERNATIONAL LITERARY AGENTS AND PUBLISHING PARTNERS.